It’s no secret one of my lusts is machining in metal and wax. Actually, machining any material is fine with me. Wax became my favored material because it machines so well, especially with very small tool bits. Primarily, jewelry CNC carving for lost wax casting (LWC).
But I have also machined wax for LWC casting in brass, and that also works very well. I am not involved with casting large objects. At least not yet. But I don’t have an interest in doing large scale sand mold type casting. That’s a whole ‘nother sideline.
My light weight Taig equipment is perfect for machining wax. Taig tools also do an admirable job on small metal cutting as well. I have milled everything from stainless steel to cast iron. I have had no problems with brass, at least the types I have machined. Like most metals, there are many alloys. I choose the easy to machine.
I recently viewed a railroading model project (a hand-car)* made by an old friend Ed Hume. It got me re-considering my old lust for live steam engines and locomotives. They are machined directly from metal. That fanned the embers again and created a bit of remorse that my metal shop hasn’t been productive as was intended, except for the LWC silver work.
*Don’t know how long this link will last.
I designed my shop and machine equipment size specifically to create model train and model engine components. Not (what I consider) full size, or real life-size components. The term often used is “Model-Engineering” workshop.
I recently dusted off one of the machines, the Proxxon PD400 mini-lathe and turned down some leaded steel stock into a mandrel and cap for my wax carving. That effort really felt good, experiencing those perfect cuts and… Continue reading
I like to consider my interest in tools from a philosophical viewpoint. I am not making a decision as to an interest being right or wrong as that is not the purpose. I note and explore the difference I see and am aware there are many reasons for the things I enjoy.
What I find for me is there is seldom a single reason. An interest is like love, there are a number of shades from pale to intense. The colors are seldom just black and white. The spectrum is not static and does vary with the passage of time.
The subject here is tools and machine tools. Specifically, I have explored what I own and use in my own workshop. I use this thought process for all of my areas of interest, It helps me understand myself and why I do what I do Yeah, perhaps I am a little weird thinking about these things, but that’s OK.
I am a technical and analytical type. I am also a bit creative and like to explore how things work. I like mechanical machines and control systems. That’s an area I have worked all my life. I understand the reason; I am just made this way.
I have made an observation about my use of machines and the systems that make them operate. I admit to an early interest in electronics and my nearly 50 years in amateur radio. Computer hardware was an early outgrowth of the radio hobby. I had a working computer before the PC was born. When I got interested in machine tools, the use of computer numeric control (CNC) to operate some of the machines was a natural extension.
I am catching up on my Kozo Hiraoka Pennsy A3 Switcher project reading. When a project has been on the shelf for a while, I find it good to revisit everything I have done in the past and refresh what lies ahead in the project. It’s all good.
Building a project like this is very detailed. Each step is not all that bad and Kozo has a very good process of explaining the how-to. My enthusiasm is increasing as I can clearly see that nothing (yet) seems to be beyond my current shop tools and my abilities. It’s all now just having the materials and doing.
A project like this is not inexpensive. But since I am doing my best to make it enjoyable and not a construction race to finish, I can spread material cost over any time span with which I am comfortable.
I am still doing my silver work which has now become self-supporting and in fact providing some cash flow. I should probably be building the A3 with sheets of Sterling silver. Uh… No, maybe not.
OK, it’s all about the parts. Making all the bits and pieces. I just love how all the parts fit together and that I have total control of turning raw materials into something totally relevant to the project.
There is a certain aura of enjoying the process of using the tools, a gut feeling, something visceral. It’s like driving a sports car. There is a feeling of knowing what your car can do and being able to use that multiplied ability that such a machine provides. Same as using a screwdriver or a vertical milling machine. It’s that ability and control of power to use tools to make things, that is so much of being human.
Whoa! Spinning off into… Continue reading
I read a story many years ago about a small team of Italian craftsmen. I think it started as a single person but the team grew with demand. They made exact working miniatures of exotic European sports racing cars like the Maserati birdcage. The models are the size of a child’s pedal car, so they were fairly large, but nowhere near actual size. Not designed for riding within. Somewhere around a quarter actual size I assume.
As I remember they were quite exquisite, all real metal construction, completely finished, not kits. Also very expensive, like back in the day when say $10,000 or more each was a lot of money, much more than it is today. A rich man’s toy car. The design/manufacturing team made a good profit on these vehicles as a sought after collector item. I believe they had operational scale or scale-like engines too.
What made me pay attention was they claimed they had many years’ worth of back orders to fill so the business of building these cars looked very successful.
I don’t know if there are people who will spend like that today. I have to assume there are, if the product and subject is good and unusual. For the very rich, they know something like this is not likely to lose value and is far easier to own than the full size version.
I have thought of this story many times as I wonder what I could make in my small metal shop that will have such lasting value. Not so much that I would make it a business, but just knowing what I am investing time in making the best I can, will have continuing value as a finished object.
It is the justification I tell myself when I put a lot… Continue reading
I have been wondering if I should call my workshop a “studio”. Sounds more “artsy” doesn’t it? Since I am not working like a production shop just making one thing over and over, maybe the new description is more accurate. However, it doesn’t seem as hard core and “man cave” sounding like “workshop” or “machine shop” so maybe I should leave it as is. Is there an image to protect?
I’m just funning of course as I don’t really have an image I am concerned about. I just do what I do because it is stuff I like to do. I don’t care what the place is called where I do it. If you want to know the truth, it is a garage. The Aussie’s (and probably others) call it a shed or shedding. Go figure, but I kind of like their term. Another example; I call the location of my ham radio station my “shack”, but it really isn’t.
As far as the number of projects, I do have more than one under way. I am guilty about jumping around between them because there are so many things I want to try and so many things I can do. I just don’t seem to have enough time to do everything one at a time. I have to have something else to do when the glue is drying or parts are on order.
So maybe I need to be more “studious” with my projects? That infers more attention to detail and higher quality, right? I am thinking a studio is where you are more studious with your work and therefore your work is of higher quality. A workshop is where you simply pound things together with a hammer until they fit – more caveman style.… Continue reading